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D​é​solé

by Lost Palace

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    "Désolé" and "Discothéque" were the first tracks cut in the Last Place Records studio in Far East Austin, TX in the late Spring of 2022. This release represents, both for Lost Palace and for Last Place Records, a means-of-production proof-of-concept.
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1.
Désolé 04:01
Always in every way Apres lutté fermement A stranger on a strange day Histoire de le désolé Always Every way Je suis désolé Fait accompli Pas pas pas pas pas Oooo Inside or outside, away C’est pour l'instant enchanté Someday I’ll sit down and stay Passe un bonne nuit blanché Always Every way Je suis désolé Fait accompli Pas pas pas pas pas Inside Outside away Je suis enchanté Fait accompli Pas pas pas pas pas Always Every way Je suis désolé Fait accompli Pas pas pas pas pas Inside Outside away Je suis enchanté Fait accompli Pas pas pas pas pas Oooo
2.
Discothéque 02:39
Whatever you say Say nothin When bobbie calls. Born for leavin Kools and parliaments In the crack of the wall. Month of may 1981 One two three four. Counting off the Fire from the gun In the trunk of the car. Discothéque Discothéque Discothéque Discothéque Discothéque Discothéque Discothéque Discothéque Disco castaway Dancing to "I Will Survive". At the pearly gates Feeling blue With my 45's. Foot patrol Contestant number one It’s Paul from Derry. Check point two The echo of the drum From the cemetery. Come 'round the bend The record spins back again. Needle cuts in Don’t think of what could have been! Come 'round the bend (Discothéque) The record spins back again. (Discothéque) Needle cuts in (Discothéque) Don’t think of what could have been!

about

The debut offering from Austin-based trio, Lost Palace, embraces the nonlinear international intercultural intergenerational production (and re-production) of musical styles through time and space.

"Désolé" and "Discothéque" imagine a world in which Detroit Funk and Soul has been lost to history, but Fela Kuti’s Afrobeat Infinite Groove tops the charts. Neither Kraftwerk nor Chic are remembered but William Onyeabor’s Electro Afrofunk fills the air in crowded clubs. No Dick Dale nor Jimi Hendricks can be heard but Peruvian Psychedelic Chicha rings out.

Lost Palace reads history in reverse. This condition, while obviously synthetic, is hardly unprecedented.

Just as it took British Stax-obsessive teen idols to introduce much of America to it’s own Delta Blues, and many Funk and Soul tracks have found an equally vital second life as un- or under-credited Hip Hop samples, Lost Palace seeks to treat secondary sources as primary, subtext becoming text through the timeless, stateless, fearless language of Groove.

credits

released November 24, 2022

Written and Performed by:
Chris Befeld, Alex Huninghake and Parker Keyes
Recorded and Mixed by:
Chris Befeld @ Last Place Records

Instrumentation:
Chris Befeld - Drums, Aux Perc, Vocals
Alex Huninghake - Guitar, Aux Perc, Vocals
Parker Keyes - Bass, Keys, Aux Perc, Vocals

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about

Lost Palace Austin, Texas

Austin-based trio, Lost Palace, reads history in reverse, seeking to treat secondary sources as primary, subtext becoming text through the timeless, stateless, fearless language of Groove.

Desert Twang Sonic Smoothness From The Fifth Dimension.
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